Just as Einstein's own Relativity Theory led Einstein to reject time, Feynman’s Sum over histories theory led him to describe time simply as a direction in space. Using computer animation now enables us to draw vast possibilities of trajectories and control their timing and number of arrays.
The presented work suggests redefining the Architectural geometry of the generated form systems by 4 parameters
P : Trajectory path length
T: Timing
N: number of synchronized arrays
M: motion typology
Research findings in the analogy between the body in motion and the architectural form could be identified into the following three points:
1.The frames of motion vs the architectural module.
2.The motion trajectories vs the architectural mass silhouette.
3.The motion story vs the space narrative.
Nowadays with the aid of computer animation tools it is possible to array hierarchal clones of form unit module synchronized on time frames to test the spatiality of architectural theories to create with what we called chronoform.
It is suggested in this study to create void openings in architectural form arrayed across a sun path as a trajectory with decelerating the arrays (elongated time) of the void openings in the morning and afternoon and accelerating (shrunk time) them at the noon time to enable sun of the early morning and afternoon to enter the space and decreasing it at the noon time.